Minus One

From images captured on the fly or photogrammetry sessions carried out during their meetings, the artists then composed a long distance relationship where their exchanges took place through photography.

In spite of all the time available during confinement, Daniloff realizes his point clouds without retouching or adding effects, and chooses viewpoints inside them, with printed stills in mind. Cherniwchan uses them for her quasi-narrative compositions, and contrasts with Dimitri’s analogue photographs, his solid colors, digital manipulations and unframed objects. Text and video retrace this singular relationship.

Elastic images, moving realism, Cherniwchan and Daniloff document an encounter in the past, seeking a space of possibilities in a new photographic material.